馬來西亞吉隆坡五子住宅小區(qū)

Five Stones Residences, Kuala Lumpur, Malaysia

馬來西亞吉隆坡五子住宅小區(qū)由400多棟樓層組成。小區(qū)開發(fā)商尋求一種能夠喚起傳統(tǒng)社區(qū)價(jià)值的景觀環(huán)境，讓人們即使不鎖門也感到安全；可以打開窗戶，從鄰居家無人看管的廚房中借一杯糖；同時(shí)，讓人們具有強(qiáng)烈的社區(qū)感情。古老的五子游戲中，將一個(gè)球扔向空中，用小石頭（或者綿羊跖骨）接住球。整個(gè)亞洲都有人在玩這種游戲，只是游戲名稱各異而已。由長者向年輕兒童傳授，這種游戲代代相傳，在休閑娛樂過程中，注入了共享社區(qū)的價(jià)值觀。

For the 400+ unit property, the client sought a landscape environment that recalled the traditional values of a community where people felt secure with unlocked doors, an open invitation to cross into a neighbour’s unattended kitchen to borrow a cup of sugar, where the feeling of community reigned. The old time game of fve stones where a ball is tossed into the air and small stones (or the knuckle bones of sheep) are caught was played across Asia under various names. Taught by elders to younger children the game can involve multiple generations to instil values of a shared community through a quite recreational activity.

按照項(xiàng)目沿著河道的地理位置特點(diǎn)，設(shè)計(jì)師從五子游戲中獲得靈感，設(shè)計(jì)了三組藝術(shù)品，每組藝術(shù)品都由五部分組成。三組藝術(shù)品中，有兩組名叫“發(fā)現(xiàn)之石”和“河石”，分別固定在大型中央花園和游泳池空間的兩個(gè)角落處；而第三組藝術(shù)品名叫“跖骨”，被隨機(jī)地布置在倒影池上和大廳人行道位于進(jìn)入房間起點(diǎn)之處。

Based on the project location along a river course, the game inspired the three series of artworks each containing fve pieces. Called "Found Stones" and "River Stones" these two artworks series anchor two corners of the large central garden and swimming pool space while the third series called "Knucklebones" appear to be strewn randomly across the refective pool and lobby pavement at the main drop off to the condominium.

柯林?岡下勝美博士研究“五子”系列藝術(shù)品的故事，讓營銷團(tuán)隊(duì)努力向客戶講述這些故事。他們使用這些與眾不同藝術(shù)形式來給項(xiàng)目取名?，F(xiàn)在，小區(qū)住戶可以坐在這些光滑漂亮的花崗石上，可以攀爬并靠在它們上面或甚至可以沿著它們的表面滑動(dòng)嬉戲。因?yàn)檫@些藝術(shù)品早在設(shè)計(jì)過程中就被賦予了“使命”，所以在所有必要的技術(shù)、結(jié)構(gòu)和物流協(xié)調(diào)中都需要考慮這些藝術(shù)品的處理。即使經(jīng)過加工、拋光的每塊花崗石將近六噸重，安裝也非常完美。其中一組藝術(shù)品放在展示區(qū)，也就是購房者急切購買房屋的地方，讓它們知道每天都能觸手可及地享受到如此美麗的當(dāng)代藝術(shù)品，同時(shí)這些藝術(shù)品也能為他們的初次投資帶來附加值。

Dr. Okashimo’s researched narrative for the Five Stone series propelled the marketing team’s efforts. They named the project after these distinctive art forms which now invite residents to sit, climb, and lean on or even to slide down their smooth, cool granite surfaces. Because the artworks were commissioned early in the design process, all necessary technical, structural and logistical coordination occurred so installation proceeded well since each crafted, polished granite artwork weighs approximately six tons. One series was displayed at the show flat where buyers eagerly snapped up the units, happy in the knowledge that such beautiful, contemporary useable artworks could be enjoyed daily and bring added value to their initial investment.