祝莉麗

When I was six， I went to first grade in a little red schoolhouse that I thought of as "real school". And sometimes， I actually got to "go" there.

The little red schoolhouse was three blocks from where I lived， and sometimes I could talk—okay， beg—my mom into letting me walk to school. At these times， I'd proudly set out2） with my backpack and velcro shoes3） with R and L on the heels on a journey that would put Alexander the Great to shame4）.

I had exactly fourteen landmarks between my house and school. Some of the most interesting were The Nice Lady's House across the street， the Turn in the Sidewalk （which in high school I learned you could call a "street corner" without being arrested by the Spatial Grammar Police） and The Very Naughty Word in the Sidewalk.

It was two words， actually， and it was my favorite landmark of all. First of all， it was "words5）". I'd been reading for three years by then， and I had no problem knowing what it said—though I was in junior high before I knew what it meant. But， more than that， it was the last part， my last landmark， before I made it to school.

Sometimes I didn't make it to school. I would blank out6）， my mind going wherever it chooses to go when I'm finding my way somewhere， and I'd feel like I'd wander out too far into the ocean. Then I'd hear my name.

"Tera，" my mom would say. "Need a lift？"

I couldn't believe my luck. Here was my mom， passing by at the exact moment I'd lost my tenuous7） grip on spatial relations. （I wouldn't call it "getting lost"—most of the time I was going the right way： I just didn't know it）. So I'd hop into the car， not knowing until my later teens that Mom followed me to school whenever I went just in case something like this would happen， and all the hard work would be done for the day. For the most part.

I'm fairly atypical8） for someone with a learning disability in that9）， with the exception of math， academics were my"thing". The first day of first grade， I had intoxicating10） visions of writing reports on books fatter than War and Peace， and was heartily disappointed when our first assignment was to color pictures. Three years later， my social studies group nearly had me burned at the stake11） for wanting to write a report about the Omaha tribe12） when they wanted to make a diorama13）. （As far as I was concerned， dioramas were stupid—and evil）. We compromised： they made their diorama， and I happily wrote a report long enough for three people.endprint

Still， when it came to recess， I would have rather made dioramas. I had friends （my NLD， as far as I know， doesn't really affect my social skills）， but I could never find them on the playground. The teachers knew me well—and eventually had this to say to me：

"You're old enough to find Sheila [or Wes， or Rachel， or Lizzie] yourself."

Luckily， my friends were smarter than most adults that knew me and figured out how to wait for me outside my classroom for lunch and recess. I was assigned a "buddy" to walk with me to and from the higher reading class， and one to take me to the Resource Room. （I went to a Catholic grade school， and one unfortunate byproduct of the separation of church and state was that the special education teacher couldn't be in the school building）.

As I got higher up in education， school got easier and more fun. I haven't been assigned a diorama since junior high and I'm able to choose my own classes and interpret literature or history more than build things and read charts. Now I'm a junior at Agnes Scott College in Decatur， Georgia （it's academically challenging， liberal artsy， and， best of all， small） where I'm majoring in Classics and English/Creative Writing. I don't drive （to the great shock of a girl I knew in high school who said， "But you're one of the smartest people in school！"）， but I enjoy translating and have more Latin， Greek， and ancient history books than is healthy14） for most people. And if you were to ask me who my favorite mythological person is， I'd have to say Odysseus15）. After all， it took him ten years to get home.

六歲的時(shí)候，我去一個(gè)很小的紅色校舍里上一年級(jí)，我覺(jué)得那是所“真正的學(xué)?！?。有時(shí)候，我真的不得不“走去”上學(xué)。

那個(gè)紅色的小校舍和我住的地方隔著三個(gè)街區(qū)，有時(shí)候，我會(huì)說(shuō)服，好吧，是央求媽媽讓我走路去上學(xué)。在那些日子，我會(huì)驕傲地背著雙肩包出發(fā)，腳上穿著一雙魔術(shù)貼童鞋，鞋跟上還標(biāo)記著“左”“右”，就這樣踏上一段讓亞歷山大大帝都會(huì)自愧不如的旅程。

在家和學(xué)校之間，我有不多不少14個(gè)地標(biāo)。其中最有趣的幾個(gè)分別是：街道對(duì)面的好心太太家；人行道的拐彎處（在高中我才知道你可以叫它“街角”，并且不會(huì)因此被“空間語(yǔ)法警察”逮捕）；以及路邊人行道上出現(xiàn)的那個(gè)非常不文明的詞語(yǔ)。

實(shí)際上，那是兩個(gè)單詞，是我最喜歡的地標(biāo)。首先，那可是“詞語(yǔ)”呀。那時(shí)我已經(jīng)學(xué)習(xí)閱讀三年了，認(rèn)出這兩個(gè)詞毫不費(fèi)力——盡管我在上初中后才了解它的意思。但是，更重要的是，那是這段路的最后一截，是我上學(xué)路上最后一個(gè)地標(biāo)。

有時(shí)候，我沒(méi)能走到學(xué)校。我的大腦會(huì)一片空白，當(dāng)我在某個(gè)地方找路的時(shí)候，我的思緒卻隨心所欲地飄蕩，我會(huì)覺(jué)得自己游蕩得太遠(yuǎn)了，到了汪洋大海里。接著，我就會(huì)聽(tīng)到有人叫我。

“特拉，”我的媽媽會(huì)說(shuō)，“需要載你一程嗎？”

我不敢相信自己的運(yùn)氣竟然這么好。媽媽就在這里，就在我失去對(duì)空間關(guān)系的微弱把握時(shí)，她恰好從這里經(jīng)過(guò)。（我才不會(huì)把我的狀況稱(chēng)為“迷路”呢——多數(shù)情況下我都走對(duì)了，只是我不知道罷了。）于是我會(huì)跳上媽媽的車(chē)，然后一天中所有的困難部分就完成了，多數(shù)時(shí)候都是如此。直到十幾歲時(shí)我才知道，媽媽在我每次步行去學(xué)校的時(shí)候都會(huì)跟著我，以防發(fā)生類(lèi)似的事情。

我差不多是一個(gè)非典型的學(xué)習(xí)障礙患者，因?yàn)槌藬?shù)學(xué)，學(xué)術(shù)都是我的“菜”。一年級(jí)的第一天，我還興奮地幻想著能為比《戰(zhàn)爭(zhēng)與和平》還要厚的書(shū)寫(xiě)寫(xiě)讀書(shū)報(bào)告，所以當(dāng)?shù)弥覀兊牡谝粋€(gè)作業(yè)是給圖片涂色時(shí)，我打心眼兒里感到失望。三年以后，我的社會(huì)學(xué)習(xí)小組差點(diǎn)兒嚴(yán)厲地懲罰我，因?yàn)槲蚁雽?xiě)一個(gè)有關(guān)奧馬哈部落的報(bào)告，而他們想做一個(gè)立體模型。（在我看來(lái)，立體模型又愚蠢又討厭。）我們各讓了一步：他們做他們的立體模型，我開(kāi)心地寫(xiě)了一份報(bào)告，字?jǐn)?shù)足夠三個(gè)人的作業(yè)要求。endprint

不過(guò)，課間休息時(shí)，我卻寧愿去做立體模型也不想出去。我有朋友（據(jù)我所知，我的非語(yǔ)言學(xué)習(xí)障礙并不會(huì)真的影響我的社交技巧），但我在操場(chǎng)上從來(lái)找不到他們。老師們非常了解我，最后他們對(duì)我說(shuō)：

“你都這么大了，可以自己去找希拉（或韋斯，或蕾切爾，或莉齊）了。”

幸運(yùn)的是，我的朋友們比多數(shù)認(rèn)識(shí)我的成年人都要聰明，他們弄明白了要怎么在教室外面等著我一起去吃午飯或度過(guò)課間休息時(shí)間。我被分配了一位“哥們兒”，他和我一起走去上高級(jí)閱讀課，下課后一起回來(lái)。還有一個(gè)哥們兒會(huì)帶我去資源教室。（我上的是一所天主教小學(xué)，政教分離造成了一個(gè)令人遺憾的后果，那就是特殊教育課的老師不能進(jìn)教會(huì)學(xué)校的教學(xué)樓。）

隨著年級(jí)的增長(zhǎng)，上學(xué)變得更容易也更有趣了。自初中起，老師就再?zèng)]給我留過(guò)立體模型的作業(yè)，而我也可以自己選課，自己闡釋文學(xué)或歷史，而不是建構(gòu)東西或去看圖表?，F(xiàn)在，我是位于喬治亞州迪凱特的阿格尼斯斯科特學(xué)院大三的學(xué)生了（這所學(xué)院極具學(xué)術(shù)挑戰(zhàn)性，充滿(mǎn)自由主義藝術(shù)氛圍，而且最棒的是，它很?。?。我在這里主修古典文學(xué)和英語(yǔ)/創(chuàng)意寫(xiě)作。我不開(kāi)車(chē)（我在高中認(rèn)識(shí)的一個(gè)女孩對(duì)此感到震驚，她說(shuō)：“你可是學(xué)校里最聰明的人之一?。　保?，但是，我享受翻譯，比多數(shù)人閱讀更多有關(guān)拉丁語(yǔ)、希臘語(yǔ)和古代歷史的書(shū)籍。如果你問(wèn)我最喜歡的神話(huà)人物是誰(shuí)，我一定會(huì)說(shuō)是奧德修斯。畢竟，他用了十年時(shí)間才回到家里。

1. 作者是一個(gè)非語(yǔ)言學(xué)習(xí)障礙患者（Nonverbal Learning Disorder，簡(jiǎn)稱(chēng)NLD），這類(lèi)人群在語(yǔ)言上有優(yōu)勢(shì)，但可能在視覺(jué)空間和社交技巧上有障礙。從文中可以看出，作者最大的特點(diǎn)就是找不到路，嚴(yán)重到去了操場(chǎng)回頭就找不到教室的地步，同時(shí)作者也非常不擅長(zhǎng)數(shù)學(xué)。

2. set out： 動(dòng)身；出發(fā)；啟程

3. velcro shoes： 魔術(shù)貼童鞋

4. 由于作者在視覺(jué)空間方面的障礙，找起路來(lái)對(duì)她無(wú)比艱難，所以她覺(jué)得自己獨(dú)自走到學(xué)校是一件困難無(wú)比但又非常值得驕傲的事情，連亞歷山大大帝本人也會(huì)感到羞愧。當(dāng)然在這里作者只是用了夸張的手法，從中足見(jiàn)作者的幽默。

5. 由于作者是非語(yǔ)言型學(xué)習(xí)障礙患者，語(yǔ)言對(duì)她來(lái)說(shuō)是強(qiáng)項(xiàng)，所以她很喜歡文字。文中加引號(hào)是用來(lái)表示強(qiáng)調(diào)——正因?yàn)槟鞘窃~語(yǔ)，而非她難以處理的空間之類(lèi)的東西，所以即使是不文明的詞語(yǔ)，也不妨礙那成為她最喜歡的地標(biāo)。

6. blank out： （大腦）突然一片空白

7. tenuous [.tenju.s] adj. （聯(lián)系）脆弱的；（理由）站不住腳的，牽強(qiáng)的；（地位）不穩(wěn)固的

8. atypical [.e..t.p.kl] adj. 非典型的

9. in that： 由于

10. intoxicating [.n.t.ks.ke.t..] adj. 令人陶醉的；令人極其興奮的

11. burn （sb.） at the stake： 嚴(yán)厲地懲罰某人

12. Omaha tribe： 奧馬哈部落，中西部美國(guó)土著

13. diorama [.da...rɑ.m.] n. 立體模型

14. healthy [.helθi] adj. 大量的；可觀的

15. Odysseus： 奧德修斯，希臘神話(huà)中的一名英雄，他在特洛伊戰(zhàn)爭(zhēng)中利用木馬計(jì)攻陷特洛伊城后，不顧海神波塞冬的咒語(yǔ)起航回家，一路上歷盡劫難，十年之后才回到故鄉(xiāng)。endprint