Ancient and modern transformation
---- Zi Bo The Great Wall Museum of Fine Art 新舊穿越——淄博齊長城美術(shù)館
項(xiàng)目地址:山東省,淄博市
項(xiàng)目類型:美術(shù)館
設(shè)計(jì)內(nèi)容:建筑改造+景觀
建筑面積:3 795平米
設(shè)計(jì)時(shí)間:2014.08—2014.10
施工時(shí)間:2014.11—2015.01
設(shè)計(jì)單位:建筑營設(shè)計(jì)工作室
設(shè)計(jì)團(tuán)隊(duì):韓文強(qiáng)、叢曉、黃濤
攝影師:王寧
撰文:韓文強(qiáng)
Project address: Shan Dong Province, Zi Bo city
Project Type: Art Museum
Architectural space: 3795 sq./m
Design content: Building reconstruction + Landscape design
Design time: 2014.11—2015.10
Construction time: 2014.11—2015.01
Design Company: ARCHSTUDIO
Design team: Han Wenqiang, Cong Xiao, Huang Tao
Photographer: Wang Ning
Author: Han Wenqiang
距離山東淄博火車站不遠(yuǎn),在鬧市的繁華背后隱藏著一片破舊的工業(yè)廠房。廠房始建于1943年,前身是山東新華制藥廠的機(jī)械車間,為當(dāng)時(shí)國家的特大型項(xiàng)目。隨著城市化的進(jìn)程,制藥廠整體搬遷至新區(qū),機(jī)械設(shè)備被盡數(shù)拆走,只留下這些巨大空曠的車間?;膹U多年之后,如今這些廠房的命運(yùn)迎來了新的轉(zhuǎn)機(jī)。憑借大跨度的空間結(jié)構(gòu)和樸拙原始的材料質(zhì)感,這里成為藝術(shù)家們的向往之地,由此引發(fā)了一次從工業(yè)遺跡變身為當(dāng)代藝術(shù)館的改造過程。改造區(qū)域大約是一個(gè)占地面積約3800平米規(guī)整的矩形,散布著3個(gè)廠房和大小不等的多處倉庫。由于廠房地下設(shè)有人防設(shè)施,室內(nèi)外地面均為混凝土,所以場地內(nèi)鮮有樹木。
There’s a dilapidated industrial factory, not far from Zibo train station, is located behind the bustling downtown. The industrial factory was established in 1943, and it was originally a pharmaceuticalfactory. However, as the developing of urbanization, the factory was forced to stop and move to new district. All the equipment had been removed, only left a empty factory. After abandoned for years, the factory is now have the turn of fortune’s wheel. The factory had it potential of long-span structure and its earthy texture. It became a desirable place to visit for many artists. Thus, the factory transforms the industrial relic to the contemporary art museum. The reconstruction area is a rectangle shape about 3800 sq./m, includes 3 factories and a few unequal-sized storages. It was hardly to see some trees and plant, because there is a civil air defense facility under the concrete fl oor.
基于原廠房分散、封閉的外部環(huán)境特征,設(shè)計(jì)著力于建筑內(nèi)外轉(zhuǎn)換和場地關(guān)系的“關(guān)節(jié)”處理,加強(qiáng)藝術(shù)活動(dòng)的公共性、開放性和靈活性,促進(jìn)人與藝術(shù)環(huán)境的互動(dòng),使廢舊廠房重現(xiàn)活力。一條透明的游廊重新整合原有場地的空間秩序,穿梭于舊廠房內(nèi)外之間,改變舊建筑封閉、刻板的印象,新與舊產(chǎn)生有趣的對(duì)話。玻璃廊道的曲折界定了多功能的公共活動(dòng),包括書店、茶室、藝術(shù)家工作室、研討室等,也使得一系列藝術(shù)館的日?;顒?dòng)成為藝術(shù)展示的一部分。由鍍膜玻璃和灰色花紋鋼板構(gòu)成的廊空間懸浮于室內(nèi)外地面之上,勾勒出水平連續(xù)的內(nèi)外中介空間。隨著游人的參觀活動(dòng),視覺場景不斷變換,鏡像、映像、虛像反復(fù)交替。廠房內(nèi)部最大化的保存工業(yè)遺跡的特征,適當(dāng)添加人工照明和活動(dòng)展墻,保持原始空間的靈活性。室外場地以干鋪和漿砌鵝卵石板來塑造成一個(gè)完整的環(huán)境背景,局部覆土種植竹林,使內(nèi)外環(huán)境交相輝映。
當(dāng)前中國快速的城市擴(kuò)張帶來了諸多新的環(huán)境問題,因此對(duì)于被人遺忘的老舊建筑,也許除了拆除,還可以有更多的方式發(fā)掘和呈現(xiàn)其對(duì)城市的現(xiàn)實(shí)意義。而藝術(shù)恰好可以成為改變現(xiàn)實(shí)問題的一種力量。當(dāng)代的藝術(shù)空間不僅是藝術(shù)品展示載體,更應(yīng)該是包含居民多種公共活動(dòng)與日常生活的豐富的場所。讓城市更“好用”,讓藝術(shù)更“生活”。
Base on the decentralized structure of the industrial factors and the character of the enclosed exterior; a design lay emphasis on the relationship between exterior and interior, enhance human interaction with the artistic environment, and to endow the factory with life by its commonality, and flexibility. Creating a traffic path by adding a translucent hallway which connect the interior and exterior of the factory, and it changed the mechanical impression. The sensually curved glassed hallway became a multi-function media, included book store, tea room, art studio, and discussion room etc. as part as the display. Coated glass and gray patterned steel panel lay on the interior and exterior fl oor, creating a harmony horizontal line. As the visitor walking into the hallway, they will see the scenario that can evolve repeatedly. The building maximized retained the original characteristics of traditional industry design, and interspersed with modern lighting and display walls. Outside, thelaid dry and cobblestone grouting with partial tree planting complete the whole environment which acted in cooperation with the interior space.
With the development of economy and the rapid expansion of urbanization in China, some new building and environment have been created day by day, and the more and more old traditionalbuilding have been demolished; However, the buildings still have multifarious methods to make then show its signi fi cant and value to the city; and art can be a power that can making change to reality. A contemporary art space should not only served as a gallery, but also need to be a space that embodied multi-functional activity, and serve for more people. Letting cities more “convince”,making art more “l(fā)ifestyle”.
軸側(cè)分解 axonometric diagram
軸側(cè)圖 axonometric drawing