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Analysis of eighty-seven fairy scroll line experience

2019-09-10 19:43:34紀文婧
科學導報·學術 2019年48期
關鍵詞:單位齊魯科學院

紀文婧

Abstract:the eighty-seven fairy scroll is centered on the emperor donghua,emperor Antarctic and emperor fusang,with the theme of fairies as the theme.It shows the grand scene that the fairies go to pay homage to the god.Among them,the line is as an important form of Chinese painting,in the artistic conception of Chinese painting expression and ideas sublimation plays an important role,Chinese painting line is in traditional Chinese painting of the bones and muscles,"pen" bone method "to show the book" the idea that the important value of lines in the painting,which is more important position in contemporary claborate-style painting,it is a good traditional Chinese realistic painting works of skeleton.

Key words:line calligraphy music experience analysis

Body:

1、the "thread" in the scroll of eighty-seven gods Eighty-seven celestial volume as lyrics scroll to classic characters,mainly with its rich strong rhythm rhythm and full of elasticity line displayed the characteristics of each fairy different characters and a story all the fairy pay their respects of Buddha Taoism,"line" is the bones and muscles,claborate-style painting line is the line to give vitality to the traditional Chinese painting,only through the change of the simple line to reflect the content of a painting artistic conception and spiritual temperament,Zhang Yanyuan's in all previous dynasties famous paintings,said:"his object is like,like all its character,character shape are from conception to pen." [1] the pen means the lines in the work,and the flexible use of lines is an essential and important medium in the creation of painting.Eighty-seven fairy scroll all USES the artistic expression technique of plain drawing,adopts the line drawing techniques of "eighteen drawing",such as the ancient gosling drawing,iron line drawing,nail head and mouse tail drawing,forming a strong visual impact effect of "flying sky clothes,full wall wind",which plays a great role in the study of traditional Chinese painting art.Copying eighty-seven celestial volume,need to understand the "pen" bone method,line is uncluttered paintings of bones and muscles,just use "line" this kind of form to express the painter's emotion and the painter's personality and aesthetic,as early as one thousand years ago in southern dynasty shaikh's theory of "six" in the "pen" bone method as six method,illustrates the line plays an important part in art expression,Dong Xinbin,Zheng Qi in "law of Chinese painting six ecological theory said:"The pen and bone are the same thing,and the stroke method is the bone method,so it is called 'bone method' because the stroke method is isomorphic to the bone method,and the stroke method is derived from the experience,extension,imitation or metaphor of the bone method" [2] .

2、eighty-seven fairy scroll line calligraphy brush Chinese painting artists often use the brushwork in painting to express with a word "write",which is very reasonable,because the characteristics of Chinese painting is to use lines as the main form of expression.Since the primitive society of China,the use of "line" has been an important expression form for artists to reproduce objective life and express their inner feelings.In the long course of history,various forms of performance appeared in painting,such as "gouping,chapping,dotted and dyed",but these were all exaggerations and disguises of lines.Plain painting only USES lines to complete a work,a few lines to express the vitality of various things,if there is no accurate pen,smooth lines and rhythmic rhythm,it will be a work without emotion and life.

3、eighty-seven fairy scroll experience Chinese claborate-style painting has a long history in the world art community with immortal achievements,while the lyrics is fine brushwork painting of bones and muscles,and outlined the skills and aesthetic appeal also originate from calligraphy,the modelling of line structure change can directly affect a painting artistically,in practice confirms the yuan dynasty painter Zhao Meng "book to show" put forward by the thoughts of painting Chinese painting is known as one of China's "quiet",in the process of modern traditional Chinese realistic painting creation,need to copy those outstanding works,because he has a lot of valuable factors worthy of our inheritance,predecessors analyze and study the painting techniques,can let own work can learn what the excellent culture of connotation and painting skills,finally,we need to add their own new ideas and give it their own emotional color,express themselves want to show artistic conception and the expression of thought.In the ordinary creation process,we should also look at and copy these excellent paintings,learn to observe life,and analyze and sort out our own paintings to form our own unique style of works.

Reference

[1] zhang yanyuan.Narration of famous paintings in past dynasties [A].Yu jianhua.Compilation of ancient Chinese paintings [C].Beijing:people's fine arts publishing house.2004.

[2] dong xinbin,zheng qi,ecological theory of six methods of Chinese painting [M].Nanjing:jiangsu fine arts publishing house.1990.

(作者單位:齊魯工業(yè)大學(山東省科學院)藝術設計學院)

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