杭幫菜博物館的用地位于江洋畈生態(tài)公園內(nèi)，場(chǎng)地北、東、西三面環(huán)山，中間地勢(shì)平坦，為西湖疏浚淤泥庫(kù)區(qū)。經(jīng)過(guò)將近10年的表層自然干化，形成以垂柳和濕生植物為主的次生濕地。

博物館建筑群由西向東分為貴賓樓、餐飲區(qū)、博物館經(jīng)營(yíng)區(qū)和固定展區(qū)這4個(gè)功能組群，各功能組群之間以木棧道和休息木平臺(tái)等連接成整體。這些景觀的構(gòu)成元素是整個(gè)公園木棧道系統(tǒng)的有機(jī)組成部分，可供游客休息、觀景之用，在長(zhǎng)長(zhǎng)的屋頂挑檐下，也將室內(nèi)活動(dòng)的空間延伸到室外水邊和公園之中。

基于尊重自然的立場(chǎng)，建筑以折板屋頂形式削弱體量，以虛實(shí)體量穿插形成聚落感，以綠色遮陽(yáng)立面格柵和植草屋頂使建筑真正融入濕地環(huán)境之中。杭州建筑的地域性特點(diǎn)是“秀、雅”，我們希望用現(xiàn)代的建筑材料和技術(shù)手段也能傳遞建筑的這種神韻，使之成為現(xiàn)代的杭州建筑?！?/p>

評(píng)論

王竹：基地坐落在山－水－濕地之中，呈現(xiàn)出破碎地形。建筑的多個(gè)組團(tuán)隨山勢(shì)和水脈蜿蜒輾轉(zhuǎn)，在轉(zhuǎn)折處自然斷開(kāi)。斷開(kāi)的意義不僅是將較大的建筑體量進(jìn)行拆分與切碎，更在于使北面的山體脈絡(luò)穿過(guò)建筑群落導(dǎo)向南面的水塘圍堰。層次豐富的屋頂，嵌入的灰磚粉墻體塊，以及斑駁稀落的草頂，更彰顯了空間的有機(jī)與時(shí)間的滄桑，讓建筑自身成為了一個(gè)聚落。設(shè)計(jì)者對(duì)建筑的詮釋與基地特質(zhì)取得了一致，精準(zhǔn)地將“建筑單元”與“地理單元”融合為一體，創(chuàng)造出卓越的新江南聚落景觀——我把這種創(chuàng)作的策略與手段稱作為“種房子”。折線形的建筑布局形成了與環(huán)境間最長(zhǎng)的界面，人們?cè)趨⒂^瀏覽與品嘗美味之時(shí)，能夠最充分地觀賞到自然美景，真正實(shí)現(xiàn)了秀色可餐。地區(qū)建筑的營(yíng)建正是從對(duì)“地域基因”的認(rèn)知開(kāi)始，最終產(chǎn)生其“地方語(yǔ)言”，達(dá)到“再造本土”的目標(biāo)。

項(xiàng)目信息/Credits and Data

方案設(shè)計(jì)/Schematic Design：中國(guó)建筑設(shè)計(jì)研究院（崔愷，吳朝輝，周旭梁）/ China Architecture Design &Research Group (CUI Kai, WU Chaohui, ZHOU Xuliang)

工程設(shè)計(jì)/Construction Drawings：中國(guó)建筑設(shè)計(jì)研究院，浙江大學(xué)建筑設(shè)計(jì)研究院/ China Architecture Design & Research Group, Architectural Design & Research Institute of Zhejiang University

建筑師/Architects：崔愷，周旭梁，王薇，楊易棟/ CUI Kai, ZHOU Xuliang, WANG Wei, YANG Yidong

建設(shè)地點(diǎn)/Location：杭州市江洋畈生態(tài)公園內(nèi)/ Hangzhou Jiangyangfan Ecological Park

總建筑面積/Total Floor Area：12470m2

建筑高度/Building Height：12m（屋脊/Ridge）

結(jié)構(gòu)類型/Structure：鋼筋混凝土框架結(jié)構(gòu)（地下層），

鋼結(jié)構(gòu)（地上層）/ Reinforced concrete frame structure for underground floors, steel structure for aboveground floors

外立面材料/Materials for Facade：玻璃幕墻，面磚，涂料/Glass curtain wall, facing tile, paint

設(shè)計(jì)時(shí)間/Design Period：2010.05

建成時(shí)間/Completion：2012.03

攝影/Photos：張廣源/ZHANG Guangyuan

4 屋頂/Roof

5 外景/Exterior view

6 剖面/Section

7、8 外景/Exterior view

The Hangzhou Cuisine Museum is located in Hangzhou's Jiangyangfan Ecological Park. The park is surrounded by mountains to the north, east and west but is itself flat－an area used as a reservoir for dredging from West Lake. After almost ten years of drying, the surface layer has formed a secondary wetland of weeping willows and hygrophytes.

The museum is made up of a collection of buildings－four different functional areas from west to east, including a VIP building and dining,business and exhibition areas－connected by wooden trestles and viewing spots. These wooden elements continue the wood trestle system of the park and provide visitors with moments of pause.Indoor activities extend into the outdoors－to the waterfront and park－under the cover of long roofs. These plate-folded roofs articulate spaces for gathering and work with the rhythms of the landscape beyond. Green-planted-roofs and brisesoleil further soften the buildings' edges on this wetland site. Buildings in Hangzhou are known for possessing "xiu" and "ya" (beauty and elegance). The museum aims to communicate these characteristics through its materials and detailing, to demonstrate the contemporary "xiu" and "ya" of Hangzhou building.□

Comments

WANG Zhu: The site is located amongst mountains,waters and wetlands. The museum complex meanders in step with the topography, breaking into separate discrete volumes with each folding of the land. The gaps between these buildings allow for two landscapes－the mountains to the north and the water to the south－to connect across the site. Undulating planted roofs and blocks of white painted and grey brick walls

not only highlight the building's organic connection to site and the passage of time, they also show how the project has defined an environment. Working with the characteristics of the site, the designer has integrated the "building unit" and "geographical unit." He has created an excellent Jiangnan landscape settlement, a creative strategy I will call "zhong fang zi" (growing a house). The zigzag layout of the buildings accentuates the museum's interface with the environment around it－the better for people to fully enjoy and be fed by the best kind of "eye candy," the natural beauty of the surrounding scenery, when they visit. The construction of this "local" building began with the discovery of an all-important local gene, and eventually produced its local language, achieving the goal of reconstruction of local building.