米勒住宅奧地利因斯布魯克

Miller House Innsbruck, Austria

業(yè)主：Christine Miller

日期：設(shè)計(jì)啟動：2010年/施工：2011年/

竣工：2012年

可用建筑面積：254平方米

攝影：Henning Koepke

米勒住宅位于因斯布魯克市的H?tting，通往Nordkette山脈前的一塊平臺的坡地上，這里地理位置優(yōu)越，可以俯瞰因斯布魯克市西部舊城景觀，而且不會被新的建筑物擋住視線：視野可以延伸到Inn河谷深處，右側(cè)是Martinswand的千姿百態(tài)的巖峰。

該建筑依照幾條橫過三維對角線形狀的空間的結(jié)構(gòu)線開發(fā)，在開發(fā)過程中形成了一個(gè)真正的力場，開發(fā)工程形成了一個(gè)細(xì)長的外伸輪廓，而這一輪廓在對角線相交處又形成一個(gè)高密度空間。

這些結(jié)構(gòu)線形成的張力場中是若干空間和區(qū)域：從狹窄的高度相當(dāng)于兩層樓房的空間到寬廣、水平的一層樓高的空間再到若干呈線性排列的空間。

這里讓人想起一個(gè)熱力運(yùn)動過程，氣流最初是層流，然后開始湍急激蕩，但密度不高（開闊地帶），再是高密度空間（建筑物外輪廓和樓層）：一開始，墻壁、地板和天花板可以看作是連續(xù)體，然后通過這個(gè)過程依次分化，形成上述三個(gè)特征，另一方面，形成典型意義上的玻璃幕墻、窗戶和天花板上的開口等空洞。

這個(gè)過程形成了一個(gè)巨大的建筑體，就像一只大貓，肌肉在跳躍之前繃緊，當(dāng)然會對結(jié)構(gòu)設(shè)計(jì)提出嚴(yán)苛的要求。

但是，因?yàn)榻Y(jié)構(gòu)線開闊和寧靜的特點(diǎn)，加上設(shè)計(jì)師把使用的材料限于三種：無煙煤灰色金屬（鋁和鋼）、白色底灰和有數(shù)千年歷史的沉積石（giallo dorato），整個(gè)建筑給人寧靜深沉的感覺。建筑所在地面上還激活了另一個(gè)能量場提供熱量：建筑物配套使用來自120米深處的兩個(gè)收集器的地?zé)崮堋?/p>

Client: Dr. Christine Miller

Year: Start of Design: 2010 / Start of Construction: 2011 /

Completion: 2012

Usable Floor Area: 254 m2

Photos: Henning Koepke

The Miller House is in H?tting, a district of Innsbruck, on a step in the terrain in front of the Nordkette mountain range. The exceptional location of the site offers a view to the west that is prototypical for Innsbruck and that cannot be blocked by new building: this view extends into the upper Inn Valley, framed on the right by the dramatic rock edge of the Martinswand.

The building is developed from several lines of movement that traverse the space which the site offers in the form of three-dimensional diagonals, in the process generating a real field of forces. On the one hand an elongated, outreaching figure is created, which, on the other hand, is spatially condensed at the points where the diagonals intersect.

A rich variety of spaces and spatial zones is developed out of the field of tension generated by these lines: from spaces that are narrow, tall and two-storey to broad, horizontal, single-storey spaces and to linearly arranged ones.

One could think here of a thermodynamic process, of flows that are initially laminar, later turbulent, less dense (the spatial zones) and highly dense (the building envelope and storeys): walls, floors and ceilings are understood first as a continuum which is then differentiated by this process in order, on the one hand, to acquire the three characteristics just mentioned and, on the other, to generate those openings described in standard terminology as glazing, windows and ceiling openings into voids.

That, in the process, a powerful building volume is created, like a big-cat with its muscles tensed just before it leaps, and enormous demands are made on the structural design, is, of course, self-evident.

And yet the building emanates calm and contemplation through the generosity and serenity of the lines and the reduction of the materials to just three: anthracite grey metal (aluminium and steel), white render, and sedimentary stone thousands of years old (giallo dorato).

A further energy field on the site was activated to provide heat: the building supplies itself with geothermal energy from two probes about 120 metres deep.

首層平面圖 ground floor plan

二層平面圖 first floor plan

AA剖面圖 section AA

BB剖面圖 section BB

北立面圖 elevation north

南立面圖 elevation south