自從1917年初胡適發(fā)表《文學改良芻議》以來，中國現(xiàn)代新詩已經(jīng)度過了百歲生日。100年來走過的路，是崎嶇坎坷的，也是成果輝煌的。一代代新詩人篳路藍縷，不懈探索，使現(xiàn)代詩在古老的中華土地上一步一個腳印，從無到有、從弱到強地發(fā)展起來。我們敬仰前輩們的努力，從他們的詩藝中汲取營養(yǎng)。同時，我們也在反思中國現(xiàn)代詩面臨的困境。100年過去了，由于各種歷史原因，現(xiàn)代詩尚未足夠成熟，存在這樣那樣的不足，依然有很大的開拓空間。尤其是在當代，網(wǎng)絡詩歌繁盛，幾乎人人可以寫詩，也導致詩作良莠不齊，詩藝和立意均出現(xiàn)了各種問題。在此背景下，我從古今中外的詩論里尋求理論支撐，從以七劍詩群為主的詩歌創(chuàng)作中尋求實踐支撐，提出了新性靈主義詩學。

Since Hu Shi published theOn the Improvement of Literaturein early 1917,the Chinese modern poetry has passed its 100th birthday. The road that has passed in the past century is both rugged and fruitful. The new poetry generations have been unremittingly exploring,making modern poetry with achievement step by step on the ancient Chinese land,from scratch to existing,and weak to strong. We respect the efforts of our predecessors and draw nutrition from their poetry. Meanwhile,we are also reflecting on the predicament of modern Chinese poetry. Some 100 years have passed,modern poetry has not yet matured due to various historical reasons. There are still such shortcomings with a lot of room for development. Especially in the contemporary era,online poetry flourishes,almost everyone can write poem,also leading to various problems concerning diverse quality,skills and ideas.In this context,the author seeks theoretical support from the poetry theories of ancient and modern China and foreign countries,proposing a new spiritual poetics while seeking practical support from the creation of the "Seven-Swordsmen"poetry.