設(shè)計(jì)單位：塞諾西安禓建筑師事務(wù)所

設(shè)計(jì)團(tuán)隊(duì)：路易斯·勞爾·恩里克斯·蒙蒂爾

建筑面積：2 000 平方米

攝影：Javier Senosiain,Francisco Lubbert, Mario Mutschlechner

Design Firm:Senosiain architects

Project Team:Luis Raúl Enríquez Montiel

Surface:2 000 m2

Photography:Javier Senosiain,Francisco Lubbert, Mario Mutschlechner

該項(xiàng)目位于一塊6.2 英畝的不規(guī)則地塊上。地塊呈不規(guī)則狀態(tài)。一溝壑橫貫首尾，兩邊夾以橡木叢林。僅有5%的土質(zhì)表面，有一個(gè)小緩坡，其一邊背靠斜坡，一邊沿著街道。該房產(chǎn)上有幾個(gè)坍塌的洞穴，這是由于洞穴的磚是由一種粘土輕質(zhì)磚構(gòu)成的，這種磚在20 世紀(jì)中葉的建筑業(yè)中廣泛使用。不規(guī)則的表面是該項(xiàng)目的一個(gè)挑戰(zhàn)，更是對(duì)羽蛇神位置的挑戰(zhàn)。周圍綠化，不能為人而動(dòng)。

巧妙地借其山坡，用其低洼，取而代之。將98%的土地還于空間、林區(qū)。雨水順溝壑之勢，至盡頭，歸于池中，宛若天成。生活用水，經(jīng)污水處理裝置處理，同樣歸于此處，用作灌溉。水潺潺而流，池水匯聚，聚集成瀑布。在這里，它被從七條蛇中的一條的嘎嘎聲中抽出，以拱形的形式進(jìn)入池的中心，從而完成污水處理過程的最后一部分。平坦無林木之地，正好用于泊車。

This project was located on an irregular parcel of 6.2 acres.The lot had an irregular surface due to a ravine with oak trees located all along the length of the property.Only five percent of the land remained,with a gentle slope next to the small edge of the property bordering the street.There were a few collapsed caves on the property,resulting from the extraction of a kind of clay used to manufacture a light brick used widely in the mid-twentieth century construction industry.The irregular surface became a challenge for the project,particularly for the location of the Quetzalcóa(chǎn)tl Serpent.The green areas were not to be touched.

Instead it was decided to take advantage of the slopes and depressions in the terrain.This would leave about 98% of the land to free space and forested areas.In the middle of the canyon that goes through the parcel of land and in front of Quetzalcóa(chǎn)tl’s head,rainwater flows down and creates a pool.The waste water from the houses is directed through a sewage treatment plant and then into this same pool and all of this water is used to irrigate the green areas.As it flows over the natural contours of the landscape,the water in this pool moves over a waterfall into the smallest deposit.From here it is pumped out of the rattle of one of seven snakes and into the center of the pool in the shape of an arch,thus permitting movement of the water to become the final part of the sewage treatment process.The small percentage of very flat terrain where there were no trees was used for parking.

實(shí)體模型 Entity model

鐘靈毓秀，一蛇出。其體神秘，其勢靈活。鋼絲網(wǎng)水泥架構(gòu)，翡翠綠夾以深紫色。其羽如同綠咬鵑。其穿行于地下，其昂首于地上，其蛇紋石用材，彰顯神態(tài)之逼真。宇宙蛇，神話中羽蛇神的代表，坊間認(rèn)為其是天地的調(diào)停人。其內(nèi)部體積是21.32 英尺高，28.21 英尺寬，有兩層樓高，各空間大約有2 220 平方英尺。每個(gè)家都內(nèi)設(shè)穹頂、大地色的墻，半圓形的窗戶。色度溫暖，視線怡人。

Out of this winding landscape,the body of the serpent,Quetzalcóa(chǎn)tl,took shape.The mysterious,flexible body,created out of ferrocement of irridescent colors,emerald greenish-gold combined with a deep violet-blue just like the feathers of the quetzal,dips into the land,reappears,and again penetrates the land from which it came in serpentine fashion.The cosmic snake,representing Quetzalcóa(chǎn)tl,once considered the mediator between heaven and earth,has an interior volume that is 21.32 ft.high and 28.21 ft.wide,is two stories high,and is the location of all the houses,each one measuring approximately 2,220 ft2. Each home contains interior domes,walls painted with warm,earthy colors,and semicurved windows with a generous view of the gardens.

實(shí)體模型 Entity model

總平面圖 Site Plan

經(jīng)過玄關(guān)，沿蛇脊，方可達(dá)3 個(gè)不同的空間，再下樓梯，另外7個(gè)功能空間便至眼前。去后一層，必須先下去一層，然后在樓梯的兩邊找到前兩層。接下來的兩個(gè)是另一個(gè)級(jí)別。沿樓梯繼續(xù)往下到第三層，那里有一座吊橋連接最后三個(gè)家。在行人通道旁邊，我們找到了大蛇之聲，一個(gè)由三層組成的結(jié)構(gòu)。最上面的一層，或者說撥浪鼓，是蓄水池，下面是守望者的哨所，最下面是每個(gè)房子的機(jī)房和儲(chǔ)藏室。

蛇是一種有爭議的動(dòng)物，不同文化中，蛇的象征意義也不同，蛇身出洞，19.68 英尺，寬達(dá)164 英尺。蛇頭多彩，置身其中，峽谷壯麗景色怡然入內(nèi)。另一方面，蛇口儼若門洞，一誘入內(nèi)，好奇之，喜悅之，賞之。水流汩汩，一如地下天然洞穴之氣氛。

Access to these houses is achieved along the backbone of the serpent by means of a long hallway or passage that descends to the three homes and first down a staircase to the other seven.In order to reach the latter,one must descend one level and there finds the first two,one on each side of the stairs.The next two are another level down.The stairs continue down to the third level where there is a hanging bridge that connects the last three homes.Next to the pedestrian access we find the rattle of the Great Serpent,a structure comprised of three stories.The top story,or the rattle,is the water deposit,beneath that we find the watchman’s post,and under that the machine room and storage rooms for each of the houses.

The serpent is a controversial figure and has symbolized different things to different cultures throughout history.Out of the cave measuring 19.68 ft.in width by 164 ft.in height emerges the impressive,multi-colored head of the serpent,providing a wonderful view of the whole canyon.The mouth of this Great Serpent,on the other hand,which serves as a doorway,instills a desire to enter into the bowels of this creature and awakens unpredictable,ambiguous sensations that fluctuate between curiosity and fear,between joy and uncertainty,a journey that ends in a glimpse of light leading to the water-filled crater,much like the great natural underground reservoir of mythology.