本期的《熱點人物》，我們向大家推介的是一位知名藝術(shù)家同時也是策展人的洪浩先生。他的藝術(shù)充分表現(xiàn)出了自由把控各種媒介的想象力，用一種輕松戲擬的方式對現(xiàn)實生存進行著深刻的批評，這樣的趣味是讓人深思的。

本期的《展覽現(xiàn)場》我們?nèi)匀魂P(guān)注那些具有新媒體、新觀念特色的近期展事，“Digital Revolution”數(shù)碼巴比肯展以一種虛擬生存的方式向大家闡釋著一種當代藝術(shù)的寓言，這樣的寓言是令人深思的。

本期的《理論研究》欄目匯聚了一些最新的頗具探索精神的理論成果。王晉、蔣旎的《當代新媒體藝術(shù)作品形態(tài)及國內(nèi)發(fā)展狀態(tài)概觀》以一種高屋建瓴的態(tài)勢縱論新媒體藝術(shù)的當前發(fā)展，讓人震驚而又振奮。劉興山《雕塑復制技術(shù)的革新——對上海自然博物館模型復制技術(shù)的研究》結(jié)合實例對于雕塑復制技術(shù)革新的介紹和研究，也相當發(fā)人深省。

天津美術(shù)學院學報執(zhí)行主編 邵亮

2018年2月

[Editorial]

In this issue, our Hotspot Figures highlights Mr.Hong Hao, a well-known artist and curator.His art fully demonstrates his imagination in controlling all kinds of media freely, and criticizes reality in a light and parodical way,which makes people think deeply.

In Exhibition Reviews, we still concern exhibition updates suggesting new media and innovative notions.The exhibition Digital Revolution presents a thought-provoking allegory of contemporary art in a virtually-surviving manner.

Theoretical Research presents some exploratory results of theoretical studies.“Forms of Contemporary New Media Artworks and An Overview of Their Development in China” by Wang Jin and Jiang Ni is an intriguing surprise,providing an overview of ongoing new media developments in a farsighted manner.And Liu Xingshan's “Innovated Sculpture Reproduction Technology: A Study of Model Reproduction Technology in Shanghai Natural History Museum” is also insightful in offering a case of sculpture reproduction technology.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

February 2018