設(shè)計(jì)單位：modus 建筑工作室

設(shè)計(jì)團(tuán)隊(duì)：Chris Baribeau（主創(chuàng)建筑師），Aaron

Speaks（項(xiàng)目主管），David McElyea， Graham Patterson， Assoc. Suzana Annable， Leanne Baribeau， Philip Rusk， Assoc. Cory Amos， Michael Pope

施工單位：特立尼塔斯建筑公司

景觀設(shè)計(jì)：生態(tài)設(shè)計(jì)集團(tuán)公司

機(jī)電工程：HP工程公司

土木工程：麥克萊蘭顧問工程公司

結(jié)構(gòu)工程：SCA顧問工程公司

建筑面積：325 233平方米

項(xiàng)目年份：2017年

攝影：Timothy Hursley

Architects： modus studio

Lead Architects： Chris Baribeau， AIA （principal architect）; Aaron Speaks， AIA （project manager）; David McElyea; Graham Patterson， Assoc. AIA; Suzana Annable， AIA; Leanne Baribeau， AIA; Philip Rusk， Assoc. AIA; Cory Amos， AIA; Michael Pope， AIA

Contractor： Trinitas Construction

Landscape Architect： Ecological Design Group

MEP Engineer： HP Engineering

Structural Engineer： SCA Consulting Engineers

Civil Engineer： McClelland Consulting Engineers

Area： 325 233 m?

Year： 2017

Photographs：Timothy Hursley

該項(xiàng)目位于美國(guó)阿肯色州費(fèi)耶特維爾的城市中心，毗鄰阿肯色大學(xué)，建筑項(xiàng)目地塊較為復(fù)雜，其中包含有多種功能。建筑沿地形邊界而建，有著鋸齒狀幾何形體量，這種設(shè)計(jì)呼應(yīng)了山地的特征，同時(shí)形成獨(dú)特的建筑形式。這些當(dāng)?shù)靥卣髯尳ㄖ噍^于傳統(tǒng)的環(huán)形學(xué)生項(xiàng)目有著鮮明的對(duì)比，建筑師稱這些建筑為“德克薩斯甜甜圈”，他們認(rèn)為，阿肯色州熊爪綜合體項(xiàng)目更適應(yīng)于此類密集型居住模式。

“甜甜圈”的環(huán)形空間非常簡(jiǎn)單易懂，同時(shí)滿足標(biāo)準(zhǔn)化模式尺度，中央形成院落，日光穿過表皮進(jìn)入內(nèi)部。而熊爪空間則完全不同，其空間的適宜和立面的美感來源于自然形態(tài)，每個(gè)空間都有著日光照射，因此有著較為豐富的采光效果。體量與體量之間的空地則形成戶外庭院，在這里，建筑呼應(yīng)地形，場(chǎng)地和使用者和諧相處。

該項(xiàng)目包含有628間臥室和228個(gè)單元，而有層次的磚石面板、自然風(fēng)化的雪松幕墻和百葉、纖維混凝土板和鋼材，共同構(gòu)成這座建筑的材質(zhì)體系。建筑的側(cè)翼體量環(huán)繞著原有樹木和中央休息場(chǎng)所。使用者的俱樂部會(huì)所位于中央體塊之中，由玻璃圍合而成，讓使用者能夠欣賞到街道與院落的景觀。折線形屋面覆蓋著建筑的入口，同時(shí)為人們帶來能夠共享室內(nèi)外空間的場(chǎng)所。

相比起傳統(tǒng)“甜甜圈”模式的大片沿街圍墻，而熊爪模式則為人們帶來了獨(dú)特的街道空間體驗(yàn)，建筑師將建筑體量嵌入費(fèi)耶特維爾山坡，同時(shí)運(yùn)用鉸接的形式讓建筑和城市和諧共生。

This student focused multifamily project occupies a complex Ozark site adjacent to the University of Arkansas in Downtown Fayetteville. Extensive site topography defines the building characteristics in stepping massive forms and angular geometries that are the resultant of Center Street diagonally slicing the hillside， which creates an unusual trapezoidal block. These native characteristics drove the architectural concepts and delivered in built form a stark contrast to the most normative of all student-housing typologies： the Texas Donut. We argue that the Arkansas Bear Claw is a more adept model of dense multifamily living.

The donut is a simple typological form， easily understood， capable of delivering standard industry building widths， often-benign courtyards， and some daylight via a too-sugary skin. The bear claw， with its cinnamon goodness and proportionally correct sweet veil， is form-driven with natural pockets of space， allowing ample and varied daylighting experiences. The courtyards between building wings are extraverted engageable spaces capable of playing with topography， pedestrians， and drivers alike.

A layered palette of brick， naturally weathering cedar screens and siding， fiber cement board， and steel composes massive areas of dense five-story apartment construction containing 628 bedrooms and 228 units. The wings of the building are focused around preserved specimen trees and programmed community amenity spaces. The tenant clubhouse is counter-intuitively located mid-block， a glass box that provides a transparent threshold between the street and the pool courtyard. The origami roof form captures the entry and provides a roof deck that gives tenants the outdoor opportunity to straddle the public and private realm.

In lieu of an unforgiving massive donut wall along the street， the formal carving of the Arkansas Bear Claw presents a uniquely scaled street experience that is at once an inviting urban rhythm and articulated building form along the Fayetteville hillside.