設(shè)計(jì)單位： React Architects

項(xiàng)目建筑師 ： Natasha Deliyianni ， Yiorgos Spiridonos

機(jī)械工程 ： Nikos Chrystofyllakis

土木工程 ： Christos Smyrnis

3D視覺 ： Dafni Retzipi

占地面積 ： 4000 平方米

建筑面積 ： 160平方米

項(xiàng)目年份 ： 2015年

攝影師 ：Damien de Medeiros

Architect： React Architects

Architects In Charge ： Natasha Deliyianni， Yiorgos Spiridonos

Mechanical Engineer ： Nikos Chrystofyllakis

Civil Engineer ： Christos Smyrnis

3D Graphics ： Dafni Retzipi

Lot Area ： 4.000，00 m2

Area ： 160 m?

Year ： 2015

Photographs ：Damien de Medeiros

項(xiàng)目位于希臘帕羅斯島的卡馬利沙灘，卡馬利別墅縱向朝西，面對著大海和帕羅斯島，整體由多個(gè)不同的建筑體量組成，各個(gè)體塊一字排開，在南側(cè)的坡地上還設(shè)計(jì)了一個(gè)附屬庭院。

庭院連著起居室，順地勢而下。帶頂涼棚的庭院使起居室和泳池免受凜冽北風(fēng)的侵襲。

寬闊的階梯通向室外，與泳池相連，屋頂部分則設(shè)置了休息區(qū)，在這里能夠欣賞山脈和大海的全景，延伸了室外空間。用樓梯可以到達(dá)屋頂平臺，使整體設(shè)計(jì)更加統(tǒng)一完整。將建筑體量化整為零，與地形更加契合，這樣，一個(gè)個(gè)小巧的體塊便完美地融入到景觀之中。

住宅建于山坡之上，旨在融合自然環(huán)境，注重屋頂部分的設(shè)計(jì)，窗戶的設(shè)置結(jié)合了住宅形式，相同元素的重復(fù)運(yùn)用和標(biāo)準(zhǔn)化的開窗形式使整個(gè)白色體量顯得完整統(tǒng)一。庭院倚靠著自然坡地，鄰近起居空間設(shè)置，并擁有綠廊以阻擋直接吹向起居室和水池的北風(fēng)。

業(yè)主夫婦倆從事于電影領(lǐng)域，他們也參與了室內(nèi)設(shè)計(jì)部分。建筑材料在設(shè)計(jì)中有著重要的作用，住宅設(shè)計(jì)了裸露的混凝土天花板和工業(yè)感的地板，淺色木質(zhì)家具作為墻體的延伸。陳設(shè)和裝飾品經(jīng)過精心挑選，裝點(diǎn)著室內(nèi)空間。同時(shí)挑選了一些希臘及國外設(shè)計(jì)師的藝術(shù)作品，在建筑和設(shè)計(jì)之間創(chuàng)造美學(xué)上的聯(lián)系。該項(xiàng)目旨在將基克拉迪群島的建筑特征進(jìn)行形態(tài)的轉(zhuǎn)化，用現(xiàn)代建筑語言加以詮釋，并融入到周邊自然景觀之中。

The house is located in the settlement of Kamari on the island of Paros. It has west orientation on the long side， facing the sea and Antiparos. The housing volumes are lined up linearly to the view， creating a courtyard attached to the slope on the south side.

Courtyards are formed adjacent to the living room， in dependence on the natural slope. The roofed pergola courtyard is protected from the northern winds in direct relation to the living room and the pool.

A wide staircase connects the outdoor sitting with the water element. On the rooftop， a lounge area is formed with panoramic views of the mountains and the sea extending the outdoor space on the roof of the house. The staircase leading to it， constitutes an integral design element. The large volume of a single building， breaks down into smaller ones， directly adapted to the terrain. In this way the adjustment of the building in the landscape is smooth and the volume of the housing is as small as possible.

The house is positioned along an existing plateau. Great emphasis is given to the "fifth" aspect， ie roofs， as the housing is adapted to the natural environment. The design of the openings is associated with the architectural style of the building. The element of repetition and standardization of openings dominates the design leaving the white volumes almost intact.

On the interior， jointly with their owners， a pair of professionals in the cinema field， construction materials dominate the design， such as exposed concrete ceilings and industrial flooring as well as wood construction in white color， as a continuation of the walls. The furnishings and décor were selected so to leave the shell intact， highlighting the selected furniture pieces. Vintage objects but also designer pieces from Greece and abroad were chosen， in order to create an aesthetically bridging between architecture and design. The transformation of the morphological elements of the Cycladic architecture using a modern architectural language were， together with the integration into the natural landscape， the guiding design principles of this project.