北京華清安地建筑設計有限公司，北京清華同衡規(guī)劃設計研究院有限公司，北京中元工程設計顧問有限公司

1 公共空間草圖Sketch of public space

2 水景廣場Water view plaza

業(yè)主：景德鎮(zhèn)陶文旅控股集團有限公司

業(yè)主負責人：劉子力

主創(chuàng)建筑師：張杰，胡建新，劉巖，李婷

設計團隊：張冰冰，張潔，葉江山，王智，劉俊宇，賀鼎，蔣炳麗，王力，宋肖肖，何琳，吳曉燕

建筑面積：9497m2

設計時間：2012-2013

竣工時間：2016.10

攝影：姚力，曹百強，周之毅，UCN

Client: Jingdezhen Ceramic Culture Tourism Group

Leader of the Client: LIU Zili

Principal Architects: ZHANG Jie,HU Jianxin,LIU Yan,LI Ting

Project Team: ZHANG Bingbing,ZHANG Jie,YE Jiangshan,WANG Zhi,LIU Junyu,HE Ding,JIANG Bingli,WANG Li,SONG Xiaoxiao,HE Lin,WU Xiaoyan

Floor Area: 9497 m2

Design Period: 2012-2013

Completion Time: 2016.10

Photos: YAO Li,CAO Baiqiang,

ZHOU Zhiyi,UCN

景德鎮(zhèn)陶溪川國際陶瓷文化產(chǎn)業(yè)園示范區(qū)實施規(guī)劃設計始于2012 年，包含保留工業(yè)建筑及部分新建建筑。其中，博物館由原建于1950 年代的重要廠房改造而成。

本項目喚起了城市記憶，為海內(nèi)外“景漂”提供了就業(yè)、生活的特色空間，使眾多瓷工重返瓷廠，延續(xù)了陶瓷文化產(chǎn)業(yè)，帶動了景德鎮(zhèn)旅游、服務行業(yè)的發(fā)展，使景德鎮(zhèn)重新成為國際藝術(shù)焦點；同時也為景德鎮(zhèn)市民提供了重要的文化與休閑場所，提升了市民的自豪感，解決了由于工廠關(guān)閉帶來的社會環(huán)境等問題，為景德鎮(zhèn)城市整體提質(zhì)升級做出了重要貢獻。

（1）遵循“最小干預”原則，保持真實性，謹慎修復、適度創(chuàng)新，低碳環(huán)保。最大限度保留再利用老廠房中的外墻材料、內(nèi)部構(gòu)架，減少建筑垃圾，并聘請參與當年廠房建設的老工人，采用原工藝進行修復和建設。項目保留不同時期的生產(chǎn)設備，將圓窯、長窯、貨車軌道等原工藝流程上的各類典型設備和要素作為室內(nèi)空間和展陳流線的組織者。

（2）低影響的新結(jié)構(gòu)和節(jié)能的可持續(xù)再利用。建筑改建部分采用與原木屋架神似的鋼結(jié)構(gòu)替換朽壞的木屋架，既保證防火安全也傳承了原有結(jié)構(gòu)的視覺特點。新加建部分采用可逆的結(jié)構(gòu)形式，屋頂及外墻均采用相應保溫材料，滿足節(jié)能計算要求，并恢復原高側(cè)窗形式。

（3）加強建筑功能、建筑外部空間與城市的結(jié)合。建筑兩側(cè)增加直接對外的連續(xù)商業(yè)功能空間；積極保護煙囪、大樹等環(huán)境要素，增加大型水景廣場，為公眾提供了活動與集會的空間。

（4）應用DIBO 一體化設計流程與關(guān)鍵技術(shù)，指導管控建筑的功能業(yè)態(tài)更新定位及空間流線布局，顯著提升了實施運營質(zhì)量。

3 區(qū)域總平面Site plan

4 鳥瞰Aerial views

5 鳥瞰Aerial views

6 博物館保留修繕的工業(yè)設施Restored industrial facilities in the museum

評委評語

項目遵循保護原真性、“最小干預”原則，以適度創(chuàng)新及低碳環(huán)保的理念進行工業(yè)遺產(chǎn)改造利用，對老廠房的外墻、構(gòu)架予以最大限度保留，并采用原建造工藝進行修復和再利用。設計采用與原木屋架神似的鋼結(jié)構(gòu)，既滿足了消防規(guī)范也傳承了原有結(jié)構(gòu)的視覺特點；將不同時期的圓窯、長窯、貨車軌道等原工藝流程上的典型設備作為展陳要素進行流線組織。建筑外部空間與城市原有肌理實現(xiàn)了完美結(jié)合。該項目對城市更新做出了有益的嘗試，堪稱典范。

The implementation of the planning and design of the demonstration area of the Taoxichuan International Ceramic Culture Industrial Park in Jingdezhen began in 2012 and included the preservation of industrial buildings and some new buildings.Among them,the museum was transformed from an important factory building originally built in the 1950s.

The reopening of the district with workshops and service facilities attracted ceramic artists worldwide.With the continuity of ceramic culture and refreshed collective memories,Jingdezhen witnessed a booming tourism industry and restored its position as the centre of global ceramic art.Furthermore,the art district provided job opportunities and available public space for local citizens,alleviated social conflicts caused by the declining manufacturing industry,and promoted the overall upgrading of Jingdezhen.

(1) Following the principle of "minimal intervention",the project aimed at preserving the authenticity of the old plants through meticulous restoration and thoughtful renovation.The original structure and fa?ade were maintained to the maximum and restored in original ways.Key production equipment from different periods,including the round kilns,liner kilns,and railway tracks,were retained and incorporated into the display streamline of the interior space.

7 博物館室內(nèi)Interior view of the museum

8 博物館內(nèi)部保留修繕的圓窯The restored round kiln inside the museum

9 博物館總平面General plan of the museum

10 首層平面Ground floor plan

11 二層平面First floor plan

12 剖面Sections

13 立面Elevations

14 剖面Sections

15 立面Elevations

(2) Eco-friendly materials and removable structures were employed with the idea of sustainable development.Steel trusses replaced the rotten wood frames with a similar form,which retained the initial visual characteristic of the roof and was in compliance with modern fire codes.The extension part adopted a reversible structure form for future adaptation.Thermal insulation materials were introduced into the roof and the walls to meet the energy-saving codes.

(3) The interaction was strengthened between internal space,outdoor squares,and the urban environment.Small shop unities were designed along the first floor opening to the street.The old chimneys and trees were preserved,and the water landscape was introduced as essential outdoor elements.The district has become a lively venue for public activity among the local community.

(4) The application of DIBO (Design,Investment,Building,and Operation) integrated design procedure helped manage the upgrading of business types and spatial streamline,advancing the quality of implementation remarkably.

Jury Statement

The project follows the principles of preser ving authenticity and "minimal intervention",and transforms and utilises the industrial heritage guided by the concepts of moderate innovation and low-carbon environmental protection.It preserves the fa?ade and the frame of the old factory building to the maximum extent,and adopts the original construction techniques for restoration and reuse.Moreover,the design uses a steel structuresimilar to the original wooden roof,which not only meets the fire control code but also inherits the visual characteristics of the original structure.The typical equipment of the original process such as the round kiln,long kiln,and truck track in different periods are used as the exhibition elements for the flow organisation.And the external space of the building is perfectly integrated with the existing texture of the city.It is safe to say that the project is a useful attempt for urban renewal and can be regarded as a model work.

16 博物館東立面East elevation of the museum

17 博物館西立面West elevation of the museum

18 博物館北側(cè)集市Market on the north side of the museum

19 博物館西側(cè)集市Market on the west side of the museum

20 水景廣場Waterside Plaza