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目 錄
8李笑男 何謂新媒體?
Li Xiaonan What Is New Media?
12孫文杰 新媒體之后——從思考當(dāng)代藝術(shù)說起
Sun Wenjie The Future of New Media——Starting from Refection of “Contemporary Art”
20肖萌 從“新媒體”到“濕媒體”
Xiao Meng From New Media to Moist Media
24編譯:宋世霽 媒體藝術(shù)的數(shù)字化——Bartek Korzeniowski(WRO)訪談
Translate and edit:Song Shiji Digitization of Media Art—— Interview with Bartek Koezeniowski (WRO)
16繆子衿 當(dāng)媒介以新的方式運作
Miao Zijin New Methods of Operating the Media
專欄
30高薪 反“統(tǒng)一”、冗余意義與圖像-符號意義生產(chǎn)的語法模式——評邁耶·夏皮羅《藝術(shù)的理論與哲學(xué)》(上)
Gao Xin Anti-Unity, Redundance, Model of Image-Symbol——Review of Meyer Schapiro's Theory and Philosophy of Art (I)
34柏睿安 “空”的維度
Brian Michael Reed The Dimension of Kōng
38周文姬 行進中的學(xué)術(shù)性翻譯——關(guān)于《前衛(wèi)原創(chuàng)與其他現(xiàn)代主義神話》的翻譯隨感
Zhou Wenji Academic Translation in Process——Impressions on The Originality of the Avant-Garde and Other Modernist Myths
視界
44吳鴻 裂變,對于被異化的中國當(dāng)代藝術(shù)的重新正名
Wu Hong Revolution——the Cure of the Dissimilated Chinese Contemporary Art
50游江 新中國畫VS新水墨——從“第九屆深圳國際水墨雙年展”策劃談起
You Jiang New Chinese Painting VS New Ink——Base on the “The 9th International Ink Art Biennale of Shenzhen” Exhibition
56李山 / 高名潞 / 張平杰(排名不分先后) 當(dāng)生命本身成為藝術(shù)——李山藝術(shù)展
Li Shan Gao Minglu Zhang Pingjie When Life Becomes Art——Exhibition of Li Shan's Art
60林木 轉(zhuǎn)折時代的先知先覺者——讀賴深如先生的水墨大寫意花鳥畫
Lin Mu Prophet of a Turning Time——Reflection on Bird-and- flower Chinese Ink Painting in Great Freehand Style of Mr. Lai Shenru
64劉鳳霞 / 姚金昌玲 / 唐佩賢 / 王若冰 / 服部浩之 / 張瑞熙(排名不分先后) 當(dāng)代青年藝術(shù)論壇
Liu Fengxia / Yao Jinchangling / Tang Peixian / Wang Ruobing / Hattori Hiroyuki / Zhang Ruixi Contemporary Youth Art Forum
新潮
70焦興濤 / 何桂彥 明天當(dāng)代雕塑獎
Jiao Xingtao He Guiyan Contemporary Sculpture Awards
74朱海 形成+
Zhu Hai Becoming
78石群 / 張子睿 虛妄之境——石群的物與心
Shi Qun Zhang Zirui The Scene of Void——Object and Idea of Shi Qun
80樊磊 回歸畫面
Fan Lei Back to Picture
對話
82納爾森·格拉伯恩 / 霍巍 / 彭兆榮 / 張穎(排名不分先后) 2016藝術(shù)遺產(chǎn)論壇“和而不同”——藝術(shù)遺產(chǎn)與博物館的兩種傳統(tǒng)
Nelson Graburn / Huo Wei / Peng Zhaorong / Zhang Ying Art Heritage Forum of 2016 “Harmony in Diversity——Two Traditions of Art Heritage
資訊
Tao Yongbai Nirvana
空間
92本刊編輯部 美秀美術(shù)館
Editorial Department Miho Museum
讀書
94