編者按：從美術(shù)史的角度來看，雕塑藝術(shù)在歷史的不同時期呈現(xiàn)的空間形式是不同的。它所呈現(xiàn)出的空間形態(tài)，表述著雕塑藝術(shù)發(fā)展的歷程。在當(dāng)下雕塑藝術(shù)表現(xiàn)方式的繁雜語境中，重新審視雕塑藝術(shù)的本體語言，對于深化雕塑藝術(shù)的表現(xiàn)功能，是有其重要意義的。鑒于此，本期重點(diǎn)推出目前在雕塑藝術(shù)領(lǐng)域里卓有見識的專家之文論，以期引起對雕塑與空間深入挖掘的學(xué)術(shù)興趣。

This issue’s theme:Several Problems between Sculpture and Space

Editor’s notes:From the perspective of the history of fi ne art, sculpture has its different forms in space in different times. The different forms of sculpture in space show its process of development. Currently, sculpture takes various and complicated forms of expression, under the context of which it is of great signifi cance to deepen the expressive function of sculpture by reexamining the intrinsic language of its ontology. In view of this, this issue focuses on publishing the articles of the experts who have profound insight in the fi eld of sculpture, with a view to arousing people’s interest in exploring sculpture and its space.