【卷首語】

本期《天津美術(shù)學(xué)院學(xué)報》的學(xué)術(shù)主題，主要是有關(guān)“公共藝術(shù)”的現(xiàn)象評析，及其文化理念的思考，為此，本期的《今日人物》欄目重點關(guān)注了景育民先生，作為我院的知名教授，他親身主持和參與了一系列在當(dāng)下中國深具影響力的公共藝術(shù)項目。

本期的《展覽現(xiàn)場》和《藝術(shù)視野》欄目，也圍繞公共藝術(shù)與當(dāng)代雕塑創(chuàng)作這一命題，并結(jié)合有關(guān)藝術(shù)創(chuàng)作的文化生態(tài)進行了各個不同主題角度的探討。當(dāng)代的藝術(shù)創(chuàng)作，不可避免地密切聯(lián)絡(luò)著創(chuàng)作的特定場所環(huán)境，聯(lián)系著特定的創(chuàng)作心態(tài)和觀者的視野，無論是一個藝術(shù)家的群體，還是單獨個體的藝術(shù)創(chuàng)作，都必須直面藝術(shù)的公共性，這樣的對話經(jīng)驗，對于今天的每一次美術(shù)實驗探索及其研究反思，都是無比珍貴的。

同時，在《史論經(jīng)緯》欄目當(dāng)中，我們也推介了一批相關(guān)主題的史論研究成果，無論是從東西方藝術(shù)史現(xiàn)象當(dāng)中的經(jīng)驗鉤沉，或是結(jié)合當(dāng)代理論和實踐經(jīng)驗的拓展性研究，都可以更好地揭示出我們文化視野當(dāng)中的藝術(shù)性質(zhì)和藝術(shù)品位，這不但有益于有關(guān)公共藝術(shù)與雕塑的理解認知，更有益于我們建構(gòu)一個更加具有開放性和創(chuàng)造性的藝術(shù)世界。

天津美術(shù)學(xué)院學(xué)報執(zhí)行主編 邵亮

2016年3月

[ Editorial ]

The academic theme of this issue ofJournal of Tianjin Academy of Fine Artsis mainly comment on and analysis of “public art” as well as some thoughts on its cultural concept. For this reason, the column Figures of Today of this issue focuses on Mr. Jing Yumin, who, as a well-known professor at TAFA, has directed and participated in a series of public art projects highly influential in today’s China.

The columns Exhibition Reviews and Art Vision of this issue also center on public art and the creation of contemporary sculpture, and probe into the topic from different perspectives considering the cultural ecology of relevant artistic creations. Unavoidably, contemporary artistic creation is closely related to the particular environment of creation, the particular mentality of the artists and the viewers’ opinions. Both a group of artists and an individual artist must take publicness of art into account in their artistic creation. This kind of experience is precious to every experimental exploration of art today and study and rethinking about it.

Meanwhile, in the column of Art History and Theories, we recommend a series of relevant research results in art historical and theoretical research, which, whether they are analyses, in a new light, of phenomena in Eastern and Western art history or expansive researches in connection with contemporary theory and practical experience, may serve to reveal, in a better way, the artistic nature and artistic quality in our cultural horizon. This will be beneficial not only to understanding and perceiving public art and sculpture, but also to structuring a more open and creative world of art.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

March 2016