A Report of the Chinese Conductor William Lius Contributions to the Disciplinary Construction of Chinas Contemporary Musical Education Xiao Wenli（4）

Congratulatory Message for the 80th Anniversary of

Professor Cao Lis Birth Gao Jie（10）

The New Music Rooted in Chinese and Western Traditions：

A Report of Maestro Pan Huanglongs Musical Career

Luo Jimin （14）

A Review of Professor Zhang Dihuas 60 Years of Career

As a Musician and Educator Yan Ruoyu（21）

On Professor Yuan Jingfangs Problem Consciousness

and Methodology Reflected in Her Book Musical

Typology Wang Yaohua（28）

Professor Yuan Jingfang As the Founder and Promoter of

Chinas Long Distance Musical EducationXiao Xuejun（26）

My Thoughts on Identification Inspired by “Impressions： Rediscovering Chinese Music” Concert Sun Weibo（31）

A Review of Composer Qu Xiaosongs Works Mong Dong， Chinese Semi-Cursive Calligraphic Writing and Ancient

Tunes with Analyses Wang Jue（34）

In-depth Study of Maestro Shi Wanchuns Compositions

for Film & Television Productions Xiao Yu（38）

Impressions of Virtuoso Zhang Weiliangs “Dizi and Xiao Concert” Wang Minghui & Song Kebin（42）

On the Technical Style and Theories of Piano Accompaniment for Art Songs Li Yuping（44）

A Report of the National Symposium on the Inheritance

and Innovation of Traditional Chinese Musical Theories

Our Correspondent Rong Yingtao（48）

My Analysis of the Chinese Singer Lei Jias Recreation in

Her Performance of the Chinese Opera Mulan Psalm Shi Yibing（50）

Dionysian Ecstasy and Apollonian Lucidity： A Study of the

20th Century Religious Music From the Perspective of

Modern Aesthetics Yang Hua（53）

On the Relationship Between Maestro Shen Xingong and

the Nanyang College Alumni Association Gu Yumei（56）

A Study of the Preservation of Musicians Manuscripts

and the Musical Documentations Collection： The Conception

and Implementation of “Rao Yuyan Musical Database”

Liu Rongdi（60）

On the Inheritance and Revitalization of Traditional

Chinese Practice for the Collection and Recreation of

Folk Music： A Report of the 1st China Yuefu Forum

Guo Yaolin（64）

A Review of the Musical Education Activities of the

Japanese Teacher Tikamori Tekio During His Stay in

China in the Late Qing Dynasty

Wu Yanhui & Song Boyuan（66）

My Reflections on the Computer Recognition of Musical Emotions Liu Jun&Liu Jun（72）

A Journey From Necessity to Freedom in Search of a Second Self： A Review of Evgeny Igorevich Kissins Paris Recital Xi He（76）

Conceptions and Practices of “Musical Writings” From

the Perspective of Ethnomusicology： A Review of Professor

Shen Qias Book Introduction： The Descriptive Morphology

of Music Chen Jinling（79）

An Exploration to the Inner World of the Late Taiwan

Maestro Jiang Wenye： Preface to Complete Works

of Jiang Wenye Wang Cizhao（82）

A Study of the Aesthetic Preferences of the Elderly

People Towards the Basic Musical Elements： Exampling

Pitch， Rhythm， Tempo， Interval， Melody， and Cadence

Huo Xiangnan（86）

Writing Truth of the Heart： A Review of Professor Song

Jins Book Basics of Musical Aesthetics Wang Wenzhuo（90）

My Reflections of Bo Teletus Book Performance， Text，

Context and Inheritance： Studies of the Oral Tradition of Mongolian Music Ouyang Shaoqing（93）