Ecological Reconstruction of Media Industry Boosted by Artificial Intelligence Chen Xiaohong ( 2 )
New Opportunities,New Challenges and New Strategies New Thinking on the Development of Chinese Drama and Film Studies in the Context of“Double First Class” Hu Zhifeng ( 7 )
The Symphony of Multiculturalism and the Age of Artistic Innovation The Aesthetic Reconstruction and Cultural Change of Chinese Films in the Past Forty Years of Reform and Opening-up Chen Xuguang ( 11)
Enhancing Aesthetic Quality in Pluralistic Development———The creation and development of Domestic Genre Films since Reform and Opening up Zhou Bin ( 20)
Concept and Form: Returning to the Chinese Movie Scene at the Early Stage of Reform and Opening up Chen Yang & Fang Siyu ( 27)
Reform and Opening up: History of Performing Concept in Film Director Li Zhenlin ( 32)
Understanding Deepening and Regular Guidance———The Study of the Main Theme of the 40 Years of Reform and Opening up Wang Haizhou & Zhan Yuanyuan ( 37)
An Analysis of the Narrative Nature of Network Literature and Art Xiong Wenquan & Zhang Jing ( 42)
On the Aesthetic Appreciation of InternetLiterature and Art Zhao Ying ( 48)
An Analysis of the Success of Internet Literature Remake TV Series Li Heng ( 52)
International Communication in a New Era Jiang Heping ( 56)
Saving Newspapers: Key Issues and Possible Solution———Basing on the Experience of Europe and America Wang Chenyao ( 66)
Research on News Framework of Consumer Rights Protection Report———Taking the Programme 3. 15 of China National Radio as an Example Han Xueying & Yi Jiantao ( 71)
Current Situation and Academic Conception of the Research on Mobile Publishing Value Chain Research Wang Pengtao & Li Menglian ( 77)
Evolution of World History Theory and Historical View since Twentieth Century Gao Xinfan ( 83)
From Critique of Political Economy to Criticism of Aesthetic Culturology———Marx,Simmel and the Frankfurt School Yang Xiangrong ( 87)
A Research on Woman’s Appearance on stage in Beijing Theatrical Circles of Late Qing and Early Republic of China Liu Xiaozhen ( 95)
Music Expression,Inheritance and Protection of Drum Music in Film Art———Basing on Yongkang Drum Music in the Movie“the Ideal of Wang Liang” Li Fu ( 101)
A Study of the Difference between the Subject of Collective Memory and the Movie and TV Audience———Take Stalingrad Film as an Example. Dai Songnan ( 107)
The Innovation and Development of China Animation Festival from Hangzhou Animation Festival Pan Jian ( 114)
A Review and Discovery of the Spirit of Fairy Tales in Contemporary Animated Films Xu Zhouchi ( 119)
The End and Return of Fairy Tales Summary of Domestic Animation Film Creation in 2017 Fang Jingfeng & Yang Xiaolin ( 124)